We introduce VoiceCraft-X, an autoregressive neural codec language model which unifies multilingual speech editing and zero-shot Text-to-Speech (TTS) synthesis across 11 languages: English, Mandarin, Korean, Japanese, Spanish, French, German, Dutch, Italian, Portuguese, and Polish. VoiceCraft-X utilizes the Qwen3 large language model for phoneme-free cross-lingual text processing and a novel token reordering mechanism with time-aligned text and speech tokens to handle both tasks as a single sequence generation problem. The model generates high-quality, natural-sounding speech, seamlessly creating new audio or editing existing recordings within one framework. VoiceCraft-X shows robust performance in diverse linguistic settings, even with limited per-language data, underscoring the power of unified autoregressive approaches for advancing complex, real-world multilingual speech applications. Audio samples are available at https://zhishengzheng.com/voicecraft-x/.

We introduce MAVE (Mamba with Cross-Attention for Voice Editing and Synthesis), a novel autoregressive architecture for text-conditioned voice editing and high-fidelity text-to-speech (TTS) synthesis, built on a cross-attentive Mamba backbone. MAVE achieves state-of-the-art performance in speech editing and very competitive results in zero-shot TTS, while not being explicitly trained on the latter task, outperforming leading autoregressive and diffusion models on diverse, real-world audio. By integrating Mamba for efficient audio sequence modeling with cross-attention for precise text-acoustic alignment, MAVE enables context-aware voice editing with exceptional naturalness and speaker consistency. In pairwise human evaluations on a random 40-sample subset of the RealEdit benchmark (400 judgments), 57.2% of listeners rated MAVE - edited speech as perceptually equal to the original, while 24.8% prefered the original and 18.0% MAVE - demonstrating that in the majority of cases edits are indistinguishable from the source. MAVE compares favorably with VoiceCraft and FluentSpeech both on pairwise comparisons and standalone mean opinion score (MOS) evaluations. For zero-shot TTS, MAVE exceeds VoiceCraft in both speaker similarity and naturalness, without requiring multiple inference runs or post-processing. Remarkably, these quality gains come with a significantly lower memory cost and approximately the same latency: MAVE requires ~6x less memory than VoiceCraft during inference on utterances from the RealEdit database (mean duration: 6.21s, A100, FP16, batch size 1). Our results demonstrate that MAVE establishes a new standard for flexible, high-fidelity voice editing and synthesis through the synergistic integration of structured state-space modeling and cross-modal attention.

While voice technologies increasingly serve aging populations, current systems exhibit significant performance gaps due to inadequate training data capturing elderly-specific vocal characteristics like presbyphonia and dialectal variations. The limited data available on super-aged individuals in existing elderly speech datasets, coupled with overly simple recording styles and annotation dimensions, exacerbates this issue. To address the critical scarcity of speech data from individuals aged 75 and above, we introduce SeniorTalk, a carefully annotated Chinese spoken dialogue dataset. This dataset contains 55.53 hours of speech from 101 natural conversations involving 202 participants, ensuring a strategic balance across gender, region, and age. Through detailed annotation across multiple dimensions, it can support a wide range of speech tasks. We perform extensive experiments on speaker verification, speaker diarization, speech recognition, and speech editing tasks, offering crucial insights for the development of speech technologies targeting this age group.

Neural speech editing advancements have raised concerns about their misuse in spoofing attacks. Traditional partially edited speech corpora primarily focus on cut-and-paste edits, which, while maintaining speaker consistency, often introduce detectable discontinuities. Recent methods, like A\textsuperscript{3}T and Voicebox, improve transitions by leveraging contextual information. To foster spoofing detection research, we introduce the Speech INfilling Edit (SINE) dataset, created with Voicebox. We detailed the process of re-implementing Voicebox training and dataset creation. Subjective evaluations confirm that speech edited using this novel technique is more challenging to detect than conventional cut-and-paste methods. Despite human difficulty, experimental results demonstrate that self-supervised-based detectors can achieve remarkable performance in detection, localization, and generalization across different edit methods. The dataset and related models will be made publicly available.

Text-based speech editing (TSE) allows users to edit speech by modifying the corresponding text directly without altering the original recording. Current TSE techniques often focus on minimizing discrepancies between generated speech and reference within edited regions during training to achieve fluent TSE performance. However, the generated speech in the edited region should maintain acoustic and prosodic consistency with the unedited region and the original speech at both the local and global levels. To maintain speech fluency, we propose a new fluency speech editing scheme based on our previous \textit{FluentEditor} model, termed \textit{\textbf{FluentEditor2}}, by modeling the multi-scale acoustic and prosody consistency training criterion in TSE training. Specifically, for local acoustic consistency, we propose \textit{hierarchical local acoustic smoothness constraint} to align the acoustic properties of speech frames, phonemes, and words at the boundary between the generated speech in the edited region and the speech in the unedited region. For global prosody consistency, we propose \textit{contrastive global prosody consistency constraint} to keep the speech in the edited region consistent with the prosody of the original utterance. Extensive experiments on the VCTK and LibriTTS datasets show that \textit{FluentEditor2} surpasses existing neural networks-based TSE methods, including Editspeech, Campnet, A$^3$T, FluentSpeech, and our Fluenteditor, in both subjective and objective. Ablation studies further highlight the contributions of each module to the overall effectiveness of the system. Speech demos are available at: \url{https://github.com/Ai-S2-Lab/FluentEditor2}.

As text-based speech editing becomes increasingly prevalent, the demand for unrestricted free-text editing continues to grow. However, existing speech editing techniques encounter significant challenges, particularly in maintaining intelligibility and acoustic consistency when dealing with out-of-domain (OOD) text. In this paper, we introduce, DiffEditor, a novel speech editing model designed to enhance performance in OOD text scenarios through semantic enrichment and acoustic consistency. To improve the intelligibility of the edited speech, we enrich the semantic information of phoneme embeddings by integrating word embeddings extracted from a pretrained language model. Furthermore, we emphasize that interframe smoothing properties are critical for modeling acoustic consistency, and thus we propose a first-order loss function to promote smoother transitions at editing boundaries and enhance the overall fluency of the edited speech. Experimental results demonstrate that our model achieves state-of-the-art performance in both in-domain and OOD text scenarios.

With the rise of video production and social media, speech editing has become crucial for creators to address issues like mispronunciations, missing words, or stuttering in audio recordings. This paper explores text-based speech editing methods that modify audio via text transcripts without manual waveform editing. These approaches ensure edited audio is indistinguishable from the original by altering the mel-spectrogram. Recent advancements, such as context-aware prosody correction and advanced attention mechanisms, have improved speech editing quality. This paper reviews state-of-the-art methods, compares key metrics, and examines widely used datasets. The aim is to highlight ongoing issues and inspire further research and innovation in speech editing.

We introduce VoiceCraft, a token infilling neural codec language model, that achieves state-of-the-art performance on both speech editing and zero-shot text-to-speech (TTS) on audiobooks, internet videos, and podcasts. VoiceCraft employs a Transformer decoder architecture and introduces a token rearrangement procedure that combines causal masking and delayed stacking to enable generation within an existing sequence. On speech editing tasks, VoiceCraft produces edited speech that is nearly indistinguishable from unedited recordings in terms of naturalness, as evaluated by humans; for zero-shot TTS, our model outperforms prior SotA models including VALLE and the popular commercial model XTTS-v2. Crucially, the models are evaluated on challenging and realistic datasets, that consist of diverse accents, speaking styles, recording conditions, and background noise and music, and our model performs consistently well compared to other models and real recordings. In particular, for speech editing evaluation, we introduce a high quality, challenging, and realistic dataset named RealEdit. We encourage readers to listen to the demos at https://jasonppy.github.io/VoiceCraft_web.

Audio language models have recently emerged as a promising approach for various audio generation tasks, relying on audio tokenizers to encode waveforms into sequences of discrete symbols. Audio tokenization often poses a necessary compromise between code bitrate and reconstruction accuracy. When dealing with low-bitrate audio codes, language models are constrained to process only a subset of the information embedded in the audio, which in turn restricts their generative capabilities. To circumvent these issues, we propose encoding audio as vector sequences in continuous space $\mathbb R^d$ and autoregressively generating these sequences using a decoder-only diffusion transformer (ARDiT). Our findings indicate that ARDiT excels in zero-shot text-to-speech and exhibits performance that compares to or even surpasses that of state-of-the-art models. High-bitrate continuous speech representation enables almost flawless reconstruction, allowing our model to achieve nearly perfect speech editing. Our experiments reveal that employing Integral Kullback-Leibler (IKL) divergence for distillation at each autoregressive step significantly boosts the perceived quality of the samples. Simultaneously, it condenses the iterative sampling process of the diffusion model into a single step. Furthermore, ARDiT can be trained to predict several continuous vectors in one step, significantly reducing latency during sampling. Impressively, one of our models can generate $170$ ms of $24$ kHz speech per evaluation step with minimal degradation in performance. Audio samples are available at http://ardit-tts.github.io/ .

The generation of natural and high-quality speech from text is a challenging problem in the field of natural language processing. In addition to speech generation, speech editing is also a crucial task, which requires the seamless and unnoticeable integration of edited speech into synthesized speech. We propose a novel approach to speech editing by leveraging a pre-trained text-to-speech (TTS) model, such as FastSpeech 2, and incorporating a double attention block network on top of it to automatically merge the synthesized mel-spectrogram with the mel-spectrogram of the edited text. We refer to this model as AttentionStitch, as it harnesses attention to stitch audio samples together. We evaluate the proposed AttentionStitch model against state-of-the-art baselines on both single and multi-speaker datasets, namely LJSpeech and VCTK. We demonstrate its superior performance through an objective and a subjective evaluation test involving 15 human participants. AttentionStitch is capable of producing high-quality speech, even for words not seen during training, while operating automatically without the need for human intervention. Moreover, AttentionStitch is fast during both training and inference and is able to generate human-sounding edited speech.